I get home from the Qatar Philharmonic Prom, notes in hand, ready to start reviewing. Thinking I’ll start writing in the morning, I wake up to the news that the conductor of the orchestra I saw the night before has

‘So… I’m graduating in a year… I could get a job… or I could commence further study!’ ‘So… I’m finishing further study in six months… I could get a job… or I could commence FURTHER study!’

My stand partner for twenty years in the Minnesota Orchestra was another veteran, Robert Jamieson. He was the polar opposite of aggressive, gruff and passionate Shirley Tabachnick. Jamieson was a stoic and private gentleman of Scottish heritage. He had been

Two visiting orchestras will bring a lot of Tchaikovsky to Guangzhou this year, with appearances by the St. Petersburg Philharmonic under Yuri Temirkanov and the London Philharmonic Orchestra under Vassily Sinaisky. Both conductors are Russian, Temirkanov has led the St.

We went to a performance recently of Orff’s Carmina Burana and really welcomed the rare chance to hear a performance of the work on stage. This is a work that is more heard on the radio or as part of

The time you spend with a stand partner in an orchestra frequently exceeds the time you spend with your spouse. I had three long-term stand partners all vastly different in approaches. My first stand partner was the veteran and irascible

It’s hard to imagine someone who called the music of Kurt Weill (the composer of ‘Mack the Knife’) ‘drivel’ eventually writing musicals and popular songs himself. Yet for Marc Blitzstein, this huge shift in aesthetic was just the start –

Haruki Murakami’s latest novel, Colourless Tsukuru Tazaki and His Years of Pilgrimage, has just been released and there’s that curious phrase in the title: “Years of Pilgrimage.” The reference, of course, is to Franz Liszt’s celebrated piano works about his