About Meet our contributors
Georg Predota

For some reason, bios always follow a predictable and rather boring format. Dr. Georg A. Predota holds degrees from blah, blah, blah, and university appointments from blah, blah, blah. His research interests and extensive publication record include blah, blah, blah and blah. By now, you are undoubtedly fast asleep! While these scholarly pursuits and achievement certainly exude a veneer of knowledge and authority—probably better call it perspective—they have no way of adequately capturing the enourmous sphere of human activities related to music that are of keen interest to me. What I can offer is an insatiable appetite for anything related to music, a blazing curiosity that is looking beyond agendas, attitudes and platitudes, the power and experience of razor-sharp observation and differentiation, and a smoldering passion for sharing my thoughts with those interested. Of course, if you’d like to see my professional qualifications, I’ll be happy to send you my CV.

Contributed Posts
Jun 8, 2017 Johann Wenzel Anton Stamitz
Jun 7, 2017 The Operatic Rivals: Giulio Caccini vs Jacopo Peri
Jun 4, 2017 Beethoven in China: The Beginnings
Jun 3, 2017 Operatic Disasters I
May 31, 2017 The Maid of Orléans
Arthur Honegger: Jeanne d’Arc au bûcher
May 28, 2017 Johannes Brahms: Doctor of Philosophy (Hon. Causa)
May 27, 2017 Ondes Martenot: Mystical Waves
May 24, 2017 An arranged and happy marriage
Claudio Monteverdi and Claudia Cattaneo
May 20, 2017 Claudio Monteverdi: (1567-1643)
“The modern composer builds upon the foundation of truth”
May 18, 2017 Krzysztof Penderecki: Symphony No. 7 “Seven Gates of Jerusalem”