August, 2018

51 Posts
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Prokofiev: Piano Concerto No. 1
Premiered Today in 1912
Sergei Prokofiev was still a student at the St. Petersburg Conservatory when he took the stage on 7 August 1912 to premier his 1st Piano Concerto. Since it was his first appearance with an orchestra, and expecting a rather large
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Mapping the Musical Genome
The Merikanto Family
When a professional musician from Helsinki toured the Finnish countryside in the last years of the 19th century, a member of the audience asked him, “Are there other great composers in Helsinki besides Merikanto?” This delightful anecdote certainly tells us
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The Music Typewriter of Charles Spiro
When Joseph Haydn was putting the finishing touches on a symphony during the later stages of his career, he dejectedly wrote. “The piece on which I am now working would have been already finished if it were not that my
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Why Perform?
The psychological and emotional reasons why musicians perform and why we feel a need to connect and communicate with audiences is a broad and complex subject. For many musicians, performing is their raison d’être – the need, the will to
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He Had the Kind of Male Beauty That Could Cause Havoc – Albert Einstein
We’ve seen him with this tongue sticking out… we’ve seen him concerned with the implications of nuclear energy… and we’ve seen him behind the bow on the violin. But, as an inspiration, we have to take the words of one
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Osvaldo Golijov: Azul
Premiered Today in 2006
What do you get if one of classical music’s most beloved performers teams up with one of today’s most popular composers? It really is a no brainer, as Azul (the title means blue in Spanish) combines the collective imagination of
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DAUGHERTY, M.: Dreamachine / Trail of Tears / Reflections on the Mississippi
Trail of Tears – I. Where the wind blew free From DAUGHERTY, M.: Dreamachine / Trail of Tears / Reflections on the Mississippi (2018) Released by Naxos Daugherty: Trail of Tears – I. Where the wind blew freeGRAMMY® Award-winning composer
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Rossini: Guillaume Tell
Premiered Today in 1829
Rossini’s last opera, the four-act Guillaume Tell, with a composite French libretto based on Schiller’s play Wilhelm Tell, was produced at the Paris Opéra on 3 August 1829. However, within three performances the opera’s length of roughly four hours and
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