“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
In 1902, after the successful debut of his opera Pelléas and Mélisande, Claude Debussy published many articles as a music critic under the pseudonym Monsieur Croche (similar to Paul Valéry’s pseudonym ‘Monsieur Teste’) in the ‘Revue Blanche’ and other publications.
Demoralized by the carnage of World War I and fighting his own battle against cancer, Claude Debussy (1862-1918) writes, “Try as I may, I can’t regard the sadness of my existence with caustic detachment. Sometimes my days are dark, dull,
After finally achieving success with his opera ‘Pelléas et Mélisande’ in 1902, Claude Debussy (1862-1918) wrote ‘L’Isle Joyeuse’ (‘The Joyous Island’), while working hard on his new composition, ‘La Mer’. His very successful artistic achievements were in stark opposition to
‘Comme de longs échos qui de loin se confondent…. Les parfums, les couleurs et les sons se répondent’ (As long echoes confound from afar….perfumes, colors and sounds respond to each other’) Charles Baudelaire, ‘Correspondances’ The recent exhibition at the Sackler
Claude Debussy: La plus que lente (Valse) From …les sons et les parfumsDebussy meets Chopin (2013) Released by Harmonia Mundi Claude Debussy: La plus que lente (Valse)Chopin and Debussy: two seekers of the absolute who, in their art distilled to