Debussy

27 Posts
Debussy: Préludes I
Following the model of Bach and his 24 Preludes and Fugues from 1722, Debussy also wrote his own set of Préludes. Debussy began Book 1 in December 1909, finishing it 2 months later in February 1910; Book 2 was started
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Composers and Their Poets: Debussy II
In his delicately titled, Ariettes oubliées (Forgotten Little Songs), Claude Debussy (1862-1918) took the poetry of Paul Verlaine (1844-1896) and created a song cycle to match the stylistic subtleties of his poems. Debussy met the older poet via his mother-in-law.
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Composers and Their Poets: Debussy I
We associate the sound of Debussy with his ‘impressionist’ music of works such as Prélude à l’après-midi d’un faune or his piano music. In some of his most important songs, however, we have more of a Germanic influence, i.e., Wagner.
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Claude Debussy: La Flûte de Pan/ Syrinx
Melodrama and Flute Solo
Claude Debussy composed very little music for the theatre. Although he conceived a substantial number of theatrical projects with the playwright, novelist, poet and translator Gabriel Mourey, they somehow never fully materialized. The notable exception is the three-act dramatic poem
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Music and the Arts: Debussy’s Late Orchestral Works
“Je veux écrire mon songe musical…..” (I want to write my musical dream….) In three of my previous articles for Interlude (September 7, 2011, September 6, 2014 and December 13, 2015) I had concentrated on Debussy’s works related to the
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From England to France via Spain: Debussy’s Images for Orchestra
After writing two sets of Images for piano, it seems that a third set was called for, but this time Debussy orchestrated it, and in doing so, broadened the timbre of his palate. The first Image, Gigues, originally had the
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Poetry in Music: Debussy’s Suite Bergamasque
As a composer in the late 19th century, Claude Debussy (1862-1918) worked on the cusp of the new directions taking place around him in France: salon music mixed with the new art styles of impressionism brought forth from him piano
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How Debussy changed a Scholar’s fate
Fifty years have passed since China’s Cultural Revolution, during which citizens were severely oppressed by restrictions on culture. Unbelievably, the incendiary spark of the Cultural Revolution was a critique titled “Notes on the New Historical Drama ‘Hai Rui Dismissed from
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