Performance Anxiety – for many musicians and performers it’s the fear which cannot, must not, speak its name, and together with injury and illness, it’s a major taboo. We don’t discuss anxiety because we’re not supposed to feel it. As

In his farewell production after a six year tenure as Director of Opera at Covent Garden, Kasper Holten managed a veritable hat trick. He turned Wagner’s notoriously overlong opera (at nearly five hours it is possibly the longest single opera)

Consider; opera based on text of XIX century with music of the same period produced and sang in Israel, a country reeling in inner battles; the ultra religious (haredim) against the institutions, the mitnahalim (settlers) against everybody, the right and

Successfully performing Siegfried, the third and least accessible opera of Richard Wagner’s Ring Cycle, cemented the growing reputation of the Hong Kong Philharmonic for this demanding material. The orchestra was in outstanding shape, comfortably cruising between the lyrically heart-wrenching passages

The Peter Stein production of Verdi’s Don Carlo from the 2013 Salzburg Festival finally debuted this January at Teatro alla Scala of Milan. Somewhat controversially acquired by Alexander Pereira, formerly Artistic Director of Salzburg and now Sovrintendente of La Scala,

The place : La Scala di Milano The Opera : Le nozze di Figaro Composer: Johannes Chrisostomus Wolfgang Gottlieb (Mozart!) Script: Lorenzo da Ponte Inaugurated in 1778 La Scala was the heart of musical Milano for the last 200 years.

The Royal Opera House’s new production of Vincenzo Bellini’s Norma was one of the most anticipated performances of the season, principally due to the casting of Anna Netrebko in the title role. When the Russian diva pulled out shortly after

Robert Schumann’s Advice to Young Musicians was originally written in 1848 to accompany his famous, and still very popular, Album for the Young, a suite of piano pieces for children and students. Schumann was a remarkable, forward-looking man, not least