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Directing on the Global Stage
An Interview with Leonard Slatkin
At the end of his Asia tour, conductor Leonard Slatkin is coming to Hong Kong to conduct a century’s worth of music: from a work that will be receiving its Southeast Asian premiere to a late 19th-century warhorse. The first
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The Beauty of the Instrument
An Interview With Riyehee Hong
Making her first appearance at the Hong Kong Arts Festival in March, organist Riyehee Hong is looking forward to bringing a wealth of Spanish and European organ music to a new audience. The appearance of an organist in a general
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Bernstein at Ely – An Interview with Humphrey Burton
Humphrey Burton made his first connection with Leonard Bernstein when Bernstein came over to London for the premiere of Candide. It had opened to disappointing reviews in New York three years earlier and the only part of the work that
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The Final Piece of the Jigsaw – Sir Mark Elder on Donizetti’s L’Ange de Nisida
On 18 and 21 July, Sir Mark Elder conducts concert performances of the world premiere of an opera that was previously thought to have been consigned to oblivion: Donizetti’s L’Ange de Nisida.
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Beautiful Song Beautifully Sung
An Interview with Kenneth E. Querns Langley
Three years ago, bel canto scholar and tenor Kenneth Querns Langley started working on the idea of a Bel Canto Festival and it came to fruition last year. This year will be the second Festival, built around the participation of
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The Hong Kong International Operatic Singing Competition 2018
The Hong Kong International Operatic Singing Competition 2018 starts on 29 June, after more than two years spent in establishing this new competition. It began with an idea from the offices of Musica Viva, a Hong Kong-based music institution better
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Anne Queffélec in London
French pianist Anne Queffélec graduated from the Paris Conservatoire and then extended her studies in Vienna under teachers Paul Badura-Skoda, Jörg Demus and Alfred Brendel. She went on to win the Munich and Leeds piano competitions. You heard her in
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Meet the Artist – François-Frédéric Guy
“Playing a concerto with orchestra is the utmost gift a pianist can receive!” Ahead of his Hong Kong Sinfonietta début under Gabor Kali in Beethoven’s Piano Concerto No 3, French pianist François-Frédéric Guy talks to Frances Wilson about influences and
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