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Ten Excerpts from Robert Schumann’s Love Letters to Clara
The love story between Robert and Clara Schumann is often regarded as one of the most romantic in classical music history. Happily for historians, many of their love letters survive. They document their inner thoughts and emotions, as well as
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  • Having Sex with Ghosts! Having Sex with Ghosts!
    Are you ready for a bit of specialist musical trivia to impress your friends? Here it goes! What is the name of the instrument that you can see, you can hear but you can’t touch? Performing on this instrument has
  • Pure Ephemera – or Not Pure Ephemera – or Not
    You can’t tell the players without scorecard, as the old baseball metaphor goes, and in classical music, we use the program for the same purpose – who’s singing / playing / responsible for what. In UK theatres, you still buy
  • In the Night: Pascal Amoyel and Chopin’s Nocturnes In the Night: Pascal Amoyel and Chopin’s Nocturnes
    Although it has an older meaning, when we think of the “nocturne” we think of Frederic Chopin. He took his inspiration from the Irish composer John Field whose works were the first to take the title to the piano. A
  • Adolf von Henselt Adolf von Henselt
    The (Almost) Forgotten Piano Wizard! Between 1809 and 1814 six remarkable composers were born; Mendelssohn, Chopin, Schumann, Liszt, Thalberg and Adolf von Henselt (1814-89). Surely you have heard of the first five, but what about Henselt? Make no mistake, during
  • Shanghai Conservatory of Music Shanghai Conservatory of Music
    The Shanghai Conservatory of Music is one of the most competitive musical education institutions in China. The Conservatory’s Vice President, Zhang Xiangping, and Zhou Xianglin, the director of teaching and study affairs, filled me in on how training at Shanghai
  • Paul Klee: Fugue in Red Paul Klee: Fugue in Red
    Paul Klee (1879-1940) craved the freedom to explore radical and modernist experimentations in his paintings. In music, however, he could never come to terms with contemporary works of Schoenberg, Berg and Webern. In fact, he even disliked the compositions of