In tune

732 Posts
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Sustainability and Classical Music
How the Metropolitan Opera “Recycles” an Opera in a Good Way
I was asked the other day for some ideas for sustainability and classical music. Hmmm. Not a topic I’ve heard much on. In doing research on sustainability and music, two non-classical topics turn up: how to make rock festivals (think
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The Madras Musical Association Through the Ages
Hailed as India’s longest-running music society, the Madras Musical Association (MMA) celebrated its 125th anniversary in 2018 with a series of concerts and tours illustrating its diverse musical repertoire and expanding membership and popularity. This year, the MMA embarked on
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The Music of Poetry
Charles Baudelaire: “Harmonie du Soir”
Charles Baudelaire (1821-1867), according to TS Eliot was the first modern poet, “the greatest exemplar in modern poetry in any language.” He produced unprecedented expressions of a complex sensibility and of modern themes within structures of classical rigor and technical
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Black Performers Matter
Jessye Norman Any catalogue of the most spectacular black performers in the world of classical music has to begin with Jessye Norman (1945-2019). She possessed one of the world’s most beautiful and powerful voices with a glorious rich middle and
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Black Composers Matter
Protesters across the United States have taken to the streets in the wake of George Floyd’s death demanding an end to police brutality and systemic racism. And as the international human rights movement “Black Lives Matter,” that protest has resonated
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Beethoven and Film
All kinds of Beethoven’s music have been used in films – nothing quite says culture like our heroine sitting down at the piano and rippling a few tender tunes with her delicate fingers. The familiar sound of the Bagatelle No.
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Musicians and Artists: Johannes Brahms and Max Klinger
The German symbolist artist Max Klinger (1857-1920) took inspiration from Brahms to create his Brahmsphantasie, a book of music and images that took Brahms’ music to a level never before seen. In his Brahmsphantasie, Klinger divided the work into 3
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Friedrich Hölderlin (1770–1843): Expressing the Content in Music
“For Our Generation Walks as in Hades, Without the Divine” German idealist poets and thinkers working in the late 18th and early 19th centuries were primarily concerned with the descent of the French revolution into Bonapartism, noting Germany’s failure to
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