In essence

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Mozart’s Musical Journey
12 March 1785: Violin Sonata No. 32, K. 454
In March of 1785 Leopold Mozart was visiting his son in Vienna, and he reports to his daughter Nannerl, “Your brother recently made 559 gulden at his concert, which was unexpected, because he is simultaneously giving his six subscription concerts
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At the Center of the Musical Universe
Giovanni Paisiello II
Giovanni Paisiello clearly had the Midas touch! Everything he touched turned to gold, or better yet, into regularly and well-paid employment. He also made an absolute fortune from public performances of his operas, and publishers would pay exorbitant prices to
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Hector Berlioz Plays a Trick on Music Critics
Hector Berlioz was particularly fond of poking fun at so-called musical critics who had neither the education nor the natural ability to pass judgment on a composition. Of course, he had been mercilessly criticized for “his strange composition consisting of
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Mozart’s Musical Journey
7 March 1778: “Basta vincesti… Ah, non lasciarmi,” K. 486a
Wolfgang writes to his father from Mannheim, “I have received your letter on the 26th February, and am much obliged to you for all the trouble you have taken about the arias, which are quite accurate in every respect. Next
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Bohemian and Other Rhapsodies
The 2018 film Bohemian Rhapsody is a foot-stomping celebration of the British rock band Queen, and their extraordinary lead singer Freddie Mercury. While its portrayals of Mercury’s life and sexuality and of the other band members were criticized, actor Rami
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At the Center of the Musical Universe
Giovanni Paisiello
Let’s start this episode of our musical universe series with a trick question. Who was the most famous and most successful opera composer during Mozart’s time? And while it would be tempting to think that Wolfie had his hand in
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Mozart’s Musical Journey
28 February 1778: “Non so d’onde viene,” K. 294
“I have also, for practice,” Wolfgang Amadeus writes to his father from Mannheim, “arranged the air ‘Non so d’onde viene’ which has been so charmingly composed by Bach. Just because I know that of Bach so well, and it pleases
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At the Center of the Musical Universe
Carl Maria von Weber II
Although Carl Maria von Weber’s opera Der Freischütz is frequently portrayed as the liberation of German cultures from foreign influences, we should not forget that a “veritable Freischütz mania flooded all England.” Productions of the opera opened in London in
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