In essence

1707 Posts
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“Flower of Jasmine, so fair!”
Anton Arensky (1861-1906) could not be considered a musical rebel by any stretch of the imagination. Perceived to lack a distinctive personal style, Rimsky-Korsakov famously said, “in his youth Arensky did not escape some influence from me; later the influence
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A Whale of a Story
Herman Melville and Moby Dick
On 1 August we celebrate the 200th birthday of Herman Melville (1819-1891), the author of one of the greatest novels in the English language. But Moby Dick, the epic tale of the voyage of the whaling ship “Pequod” and its
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Louis Moreau Gottschalk
Dangerous Side Effects of Fame
The teenage American sensation Louis Moreau Gottschalk (1829-1869) played his name into the hearts of Parisian society. Paris was full with youthful geniuses, but one from America attracted special attention. His earliest music published in France in his name tellingly
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Daughterly Muse
Marcel and Marguerite Tollet-Dupré
Inspiration can strike anyone, anywhere, anytime. And while some artists find inspiration in nature, psychology, religion or political convictions, there is a source that’s much closer to home; their own children! It goes without saying that all parents want what’s
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She’s Just a Little Mad, My Head Is on Straight
Kurt Weill’s 7 Deadly Sins
In 1932, Kurt Weill was commissioned to write a ballet. But, this was a ballet with a difference. Commissioned by the Englishman Edward James for his ballerina wife, Tilly Losch, James specified that Lotte Lenya would sing it and his
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Stravinsky Meets Modern
We associate ragtime music with performers and composers such as Scott Joplin, confined by their poverty and marginality to the US. What we may not realize is how international this turn of the 20th century-style was and how influential it
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The Pop Classical
In a sense, the thing furthest away from Classical music is pop music. But, in another sense, the two kinds of music are far closer than you think!
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Prokofiev’s Visions Fugitives: Little Impressionist Worlds
Sergei Prokofiev (1891-1953) started experimenting with a number of short piano works in 1915, completed them in 1917, and gave them their first public performance on 15 April 1918 in Petrograd/St. Petersburg. At a private performance some months before, the
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