In essence

1706 Posts
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Depositing a Foundling, or two?
Verdi and Giuseppina Strepponi III
Giuseppe Verdi, Barcarola “Al tuo bambino” Once Giuseppe Verdi and Giuseppina Strepponi had fallen in love, things got rather complicated. This is hardly surprising amongst professional people as it can be rather challenging to balance career and love. Strepponi had
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Memory like a Sieve!
Giuseppe Verdi
Did you know that no single cell in your body is older than 10 years? Some of your cells have an even shorter lifespan. For example, the cells lining your stomach only last five days, your red blood cells regenerate
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The Flute and the Snake!
Here is your pop quiz for today! Who said, “There is nothing on earth that approaches the perfection of The Magic Flute and the Bible”? I give you a hint; his paintings are rendered with an extraordinary formal inventiveness, vivid
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A Symphony of a Thousand
Symphony No. 8, “Symphony of a Thousand” (Bavarian Radio Symphony, Kubelik 1970) When the Mahler family arrived in Maiernigg — an idyllic village located on the southern shore of Lake Wörth in the Austrian province of Carinthia — for their
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Will you be my Slave?
Verdi and Giuseppina Strepponi II
Giuseppe Verdi, Nabucco, Act 2, Scene 1 Ben io t’invenni, o fatal scritto! Aria: Anch’io dischiuso un giorno Without doubt, Giuseppina Strepponi must receive credit for Verdi’s first operatic successes. Her performances in a number of his early operas not
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Handel’s Semele: A wolf in sheep’s clothing?
Throughout the 17th century, all forms of staged musical theater were strictly forbidden during Lenten season. To substitute for this lack of operatic entertainment, this period of fasting and prayer that prepares believers for the celebration of Easter did see
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A Recipe for Success?
Verdi, Pacini,and Rossini
Almost immediately after the premiere of Oberto in 1839, a contemporary critic considered the question of Verdi’s personal musical style. “Many salient features of this style are not Signor Verdi’s own,” he wrote. “The crescendo and the use — not
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Searching for Aida
Verdi and Giuseppina Strepponi I
Giuseppe Verdi, Oberto, Tutto ho perduto! (Leonora) Scholars have suggested that the inherent pathos and drama of Verdi’s operas was the direct result of the composer attempting to cope with the cruel loss of his two infant children and the
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