In essence

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The Supernatural in Music
VI Possessed by the Demon: Exposed Virtuosity
Performers with extraordinary talent were often accused of having made a pact with the devil to achieve their seemingly un-human abilities. We’ve already seen the temptation of Tartini. This accusation has been levelled against performers from violinist Nicolò Paganini in
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How Czech is Czech?
Antonin Dvořák: Symphony No. 6 in D major, Op. 60
Like practically every composer working in the nineteenth century — regardless of their origin or nationality — Antonin Dvořák (1841-1904) was profoundly nationalist in many respects. In fact, he was expressively patriotic regarding Czech rights within the German dominated Habsburg
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Walking Around Art
Modest Mussorgsky: Pictures at an Exhibition
Modest Mussorgsky’s piano work Pictures at an Exhibition take us on a tour around an art gallery of the work of the Russian artist and architect Viktor Hartmann. The seemingly passive title might be clearer if we look at the
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“Crème de Menthe Variations”
Rachmaninoff: Rhapsody on a Theme of Paganini Contemporary young composers of classical music are frequently taken to task for placing marketability and profit orientation above artistic integrity and compositional skill. In reality, however, placing the emphasis on the profitability of
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The Supernatural in Music
V Tartini and the Devil’s Trill
Giuseppe Tartini (1692–1770) took the already-lurid reputation of the violin and painted it with the colours of the dark side. Tartini was among the leading violinist/composers of his time and was based in Padua, Italy, where he founded an internationally
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Lullistes et Ramoneurs!
The debate surrounding French opera
Although Jean-Philippe Rameau had established a solid reputation as a teacher, organist and theorists, his musical fortune rested squarely on the shoulders of Alexandre-Jean-Joseph Le Riche de la Pouplinière. A leading patron of music in France, La Pouplinière was fabulously
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The Isaac Newton of Music
Rameau and his Treatise on Harmony
Jean-Philippe Rameau: Dardanus “Overture” Jean-Philippe Rameau was deeply in love with Marie-Louise Mangot. She must have been a remarkably charming, and extremely pretty 19-year old maiden. After all, a 42-year old bachelor does not give up his solitude all that
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The Supernatural in Music
IV Vanity of Vanities
In the Flemish 16th century, a new style of painting became popular: Vanity Paintings. Unlike today’s ‘vanity publishing,’ where you pay to have your immortal work put into print, Vanitas Paintings were about a deadly sin.
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