In essence

1706 Posts
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Ukrainian Christmas Eve
Nikolai Gogol, a dramatist, novelist and short story writer of Ukrainian ethnicity, is considered a seminal figure of Russian literary realism. His fundamental romantic sensibility is marvelously infused with strains of Surrealism and the grotesque. In fact, Gogol established a
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Haydn: The Creation
“The story of the creation,” Joseph Haydn wrote in 1801 “has always been considered the sublimest and most awe-inspiring image for mankind. To accompany this great work with appropriate music could certainly have no other result than to heighten these
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Hail Mary, Full of Grace
The Catholic prayer called either Ave Maria or the Hail Mary has been a familiar setting in music, coming into favour in the Renaissance and extending to the current day. Mary, the mother of Jesus, holds a particularly beloved place
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Jean Sibelius: Finlandia
Music can be an all-consuming passion that serves as a daily spiritual and physical exercise. Jean Sibelius (1865-1957) certainly thought that way, as “music grasped me with a power that rapidly relegated all my other interests to the background.” Initially,
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A Nordic Fairytale
Jean Sibelius and Aino Järnefelt
At age 23, Jean Sibelius “was pale and good-looking, slender and sensitive. He seemed to all a strange and attractive being. And of course, we were all in love with him…And he was lovable. Refined, attractive, polite, he had that
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Muses and Musings
Edvard Grieg and Teresina Tua
“To all appearances,” Edvard Grieg wrote in 1882,”I am living a more peaceful life than ever before, but in reality it is a life full of inward struggle. I am both spiritually and bodily unwell and decide every other day
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Violent and Unnatural Deaths in Opera II
In general, weddings tend to be rather happy occasions. This was certainly true, at least initially, for Orfeo and Euridice. The master musician and the most radiant beauty of the ancient world were passionately in love. But on the wedding
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Voices of the Central Conservatory of Music in Beijing I
Although a relatively young institution, the Central Conservatory of Music in Beijing has seen its fair share of highly talented composers. Founded in 1950, the department of composition—for better or for worse—has been the cornerstone of its academic endeavours. Guo
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