“The only love affair I have ever had was with music.”
Maurice Ravel
The history of classical music, however, is full of fabulously gifted individuals with slightly more earthy ambitions. Love stories of classical composers are frequently retold within a romanticized narrative of sugarcoated fairy tales. To be sure, happily-ever-after stories do on rare occasions take place, but it is much more likely that classical romances lead to some rather unhappy endings. Johannes Brahms had an overriding fear of commitment, Claude Debussy drove his wife into an attempt at suicide, Francis Poulenc severely struggled with his sexual identity, and Percy Grainger was heavily into whips and bondage. And that’s only the beginning! The love life of classical composers will sometimes make you weep, or alternately shout out with joy or anguish. You might even cringe with embarrassment as we try to go beyond the usual headlines and niceties to discover the psychological makeup and the societal and cultural pressures driving these relationships. Classical composer’s love stories are not for the faint hearted; they are heightened reflections of humanity at its best and worst. Accompanying these stories of love and lust with the compositions they inspired, we are able to see composers and their relationships in a completely new light.
“Harmony cannot fail to rule over their household.” On 19 April 1833 the musical magazine Bohemia published the following review of pianist Josephine Eder (1815-1868): “She treats the light and difficult parts with the same certainty, combines taste and delicacy,
Valentina Semyonovna Bergman (1846-1924) was born into a Russian merchant family of German-Jewish descent. Her parents converted to Lutheranism before she was born, and they operated a successful shop specializing in colonial wares. Valentina showed great musical promise from an
I don’t understand why a good many people think that classical music is deadly dull and boring. Many of the stories and anecdotes surrounding these exceptional expressions of human creativity could easily become box office hits at your local cinema.
Christoph Friedrich Bach was only 17 when he was unexpectedly offered the position of harpsichordist at the Court of Schaumburg-Lippe in Bückeburg. He hadn’t yet finished his musical or general education, and it took the permission of his father to
“Love Is the Idler’s Occupation, the Warrior’s Relaxation, and the Sovereign’s Ruination” At the height of his powers, Napoleon Bonaparte had established an empire that dominated much of continental Europe at the beginning of the 19th century. He was, and
On 14 March 1928 a concert honoring Manuel de Falla’s admittance to the French Légion d’Honneur took place in Paris. Falla insisted that music by some of his young Spanish colleagues should be heard as well, and Joaquin Rodrigo stole
Destitute and on the verge of starving, Ruggero Leoncavallo (1857-1919) arrived in Paris. He found work as an accompanist at various café-concerts, and eventually attracted attention. Colloquially known as the “great little Italian,” he gradually gained entry into the various
The teenage American sensation Louis Moreau Gottschalk (1829-1869) played his name into the hearts of Parisian society. Paris was full with youthful geniuses, but one from America attracted special attention. His earliest music published in France in his name tellingly
