Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
The composer Heinrich Marschner made the most of the vampire craze that swept Europe in the early 19th century with his opera Der Vampyr. The craze had started with a short story abandoned by Byron that was picked up by
The Oceanids are the water spirits, children of Oceanus, the Titan whose river encircles the world, and Tethys, his sister/wife who oversaw the rivers of the world. Oceanus and Tethys had 3,000 daughters and 3,000 sons. In Greek mythology, however,
The Russian composer and pianist Nikolai Medtner (1880-1951) was utterly despised by the Russian community in Paris. Considered an old fart and hopelessly out of touch with modern times, he was even facetiously called the “Russian Brahms.” Much of this
In 1933, to celebrate both the 80th anniversary of the Budapest Philharmonic Society and his memories of life in a remote town, Zoltán Kodály (1882-1967) wrote the Dances of Galánta. The town of Galánta is located about 50 km to
Institutions for secular education in musical performance, composition as well as academic and research fields are known under a variety of names. Originating in 16th-century Renaissance Italy, the term “conservatorio” designated a type of orphanage frequently attached to a hospital.
The Renaissance – the sixteenth century time of rebirth was also a time for musical games. One of the greatest games of the day was sex. Musical references to sex were everywhere and especially in the madrigal. The madrigal was
Ferruccio Busoni was the only child of two professional musicians. His Italian father was an accomplished clarinetist and his German mother a capable pianist. Towards the end of his life Busoni declared, “I bless my father for having directed me
Othello has long been a seductive Shakespeare tragedy, adaptable to our present day life with its enduring leitmotifs—love, mistrust, duplicity, racism, retaliation and remorse.