Blogs

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Thomas Britton: Charcoal and Handel
You’ve probably never heard of the charcoal merchant Thomas Britton (1644-1714). He came from a small village in Northamptonshire and moved to London to become a highly successful merchant. In his spare time, he started to take singing lessons and
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Violence Against Men
The Age of the Castrato II
Castration for musical reasons was never really officially legal. In fact, it was banned under Canon Law and punishable with excommunication. The music historian Charles Burney traveled through Italy in search of places where the operation was carried out. He
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Fixing the Trumpet
The natural trumpet, i.e., one that’s just a length of tubing, get its pitches from the overtone series. However, this is a limited range of pitches and to get ones that are in a particular key requires that the trumpet
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Augusta Holmès’ Symphonic Poems
The Anglo-Irish-French composer Augusta Holmès (1847–1903) was born in Paris, daughter of a wealthy Irish officer and an English mother. Although her parents would have preferred her to have an interest in the plastic arts of drawing and painting, it
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Lampooning Richard Wagner
In the aftermath of a performance of Richard Wagner’s Tannhäuser in 1861, everybody tried to figure out what the so-called “Music of the Future” was all about. Many critics mock Wagner for trying to depict absurd narrative details and even
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Claude-Emma Debussy: The Story of Debussy’s Doomed Daughter
Arguably, the person who composer Claude Debussy loved most in the world was his daughter, Claude-Emma. Father and daughter were extremely close and extremely like each other. Claude was inspired by fatherhood to write several of his most famous works,
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Violence Against Men
The Age of the Castrato
Fairy tales normally start with “Once upon a Time,” and generally end with “and they lived happily ever after.” But some of the supposed musical fairy tales I’ve been reading about are not nice stories at all. I am talking
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The River in a Box: The Blue Danube for Mechanical Players
Enclosed in a wooden box lies a magical mechanism: things whirl, a pinned cylinder turns, a little tuned comb is plucked, and music comes out. We looked earlier at all the different ways composers played with Johann Strauss II’s Blue
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