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On My Music Desk…
Schubert Piano Sonata in A, D664
This, for me, is Schubert’s most genial piano sonata and one of his most popular. Like much of Schubert’s work, it reflects the Romantic spirit of the early 19th century, characterized by its lyrical beauty, harmonic daring, and emotional qualities,
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Simon Barere: The Pianist Who Died Mid-Concert at Carnegie Hall
Simon Barere was one of the great pianists of his generation. However, it is possible he is most famous for his sudden death, which occurred in the middle of a concert at Carnegie Hall in 1951. Today, we’re looking at
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Bartolomeo Cristofori and Lodovico Giustini
“Sonatas with loud and soft, popularly called with hammers”
1685 was a particularly stellar year for classical music, as it saw the births of Johann Sebastian Bach, Georg Frideric Handel, and Domenico Scarlatti. However, there is at least one more composer born in 1685 who played a highly significant
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Beethoven, His Brothers, and Their Tragically Rocky Relationship
Sometimes, it’s tempting to think of Ludwig van Beethoven as someone who just emerged from a god’s forehead, a la Athena. But in reality, Beethoven came from a very human family, just like everyone else – and a deeply dysfunctional
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The Effect of Sounds
We found some Sound Effects albums the other day and were exploring the sounds that they collected. Under Bells, we found bells from all continents and bells of all sizes, from small meditation bowls to bike bells to doorbells to
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Giovanni Sollima: An Artist of the Twenty-First Century
The Internationally renowned cellist Giovanni Sollima flouts categorization. His mesmerizing personality and his genre-defying music sets him apart. A lean figure with salt and pepper hair, he appears on stage alone, dressed in black, and he beguiles us with his
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Most Heartbreaking Lines of Beethoven’s Heiligenstadt Testament
When he was thirty-one years old, Ludwig van Beethoven cracked. In a touristy town just outside of Vienna, he sat down and wrote arguably the most famous letter in classical music history. It was a cry from the depths of
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Adding Overtones
Satie arranged by Thomas Dunford for Theorbo
Lutenist and theorbist Thomas Dunford has brought a new life to music that seems to have had its best exposure about 20 years ago. His skill on these two Renaissance instruments brings back many pieces of music we’d heard long
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