Playing a musical instrument is an amazing endeavor. It’s thrilling when a performance is everything we want it to be and the audience erupts in applause. If we’ve conveyed the beauty, meaning, and emotion of the music, and not the

Do you ever think you might be practicing in your sleep? Yesterday I went to practice Debussy‘s prelude La cathédrale engloutie, which I’m preparing for a performance later in the year. The second section, when the waves start to roll

This article has been written in reaction to hearing “I don’t like this [enter instrument, genre, artist etc.]” too often. As a composer, diversity in music is equal to the painter’s, who constantly seeks for new colours, or the chef’s

Love has been an unfailing interest of mankind and an indispensable element of human lives. Love is much more than superficial attraction: at its best, love displays trust, commitment, longing, making sacrifices for the greater good. Yet on the flip

“Gaspard has been a devil in coming, but that is only logical since it was he who is the author of the poems.” – Maurice Ravel Considered to be one of the most fearsomely difficult pieces in the pianist’s repertoire

Some of the greatest gems of music are written for small ensemble. But in chamber music you don’t have a conductor to tell you what to do, nor are you entirely on your own to make musical decisions. How does

There’s a special poignancy to Schumann’s Geistervariationen (“Ghost Variations”). Dedicated to his beloved wife Clara, they were written just a few weeks before he was committed to a lunatic asylum at Endenich, and were the last piece of music he

It was on a day in April—it was actually the 17th of April—when someone told me that Jörg Demus had passed away. In the Internet era, news spreads like wildfire. But the source of all this commotion came from Wikipedia,