The time you spend with a stand partner in an orchestra frequently exceeds the time you spend with your spouse. I had three long-term stand partners all vastly different in approaches. My first stand partner was the veteran and irascible

It’s hard to imagine someone who called the music of Kurt Weill (the composer of ‘Mack the Knife’) ‘drivel’ eventually writing musicals and popular songs himself. Yet for Marc Blitzstein, this huge shift in aesthetic was just the start –

Haruki Murakami’s latest novel, Colourless Tsukuru Tazaki and His Years of Pilgrimage, has just been released and there’s that curious phrase in the title: “Years of Pilgrimage.” The reference, of course, is to Franz Liszt’s celebrated piano works about his

I’m still a little bit scared of Alma Mahler. I can feel her gigantic personality looming over me, transcending the years, inevitably offering some acid-tongued rebuke at my futile attempts to capture this complex and volatile person in writing. When

What’s the scariest monster in the closet for musicians? (I must whisper here) THE AUDITION. Any job interview inspires some trepidation, of course, but THE AUDITION— so brief, so dicey, so seemingly random— brings on tremendous doubt, misgivings and even

Talent certainly runs in the family. Celebrity brothers and sisters are everywhere. Take for example Casey and Ben Affleck, actors, Venus and Serena Williams, tennis players, or Alec and Evelyn Waugh, authors of Island in The Sun and Brideshead Revisited

‘So, I’ve got a rehearsal later.’ ‘What for?’ ‘Hermes.’ ‘What’s that?’ ‘The Hermes Experiment. It’s a quartet – harp, double bass, clarinet, and soprano.’

There’s a storm brewing in classical music. The quandary: #1 how far are we willing to go to achieve reaching out? Can we pursue change without freaking out our musicians and loyal concert attendees? #2 how do we remedy the