The death of the bass-baritone John Shirley-Quirk in April 2014 and the story in Times obituary about the problems caused by his name got us to think of other mistaken performers and composers. The New York Times obit gave us

By Alexandra Preucil Assistant Concertmaster Cleveland Orchestra For as long as I can remember, family gatherings have been synonymous with music making. Sometimes this took place in fancy concert halls, but more often than not, my family would simply come

If we think of the flutes as the air above the woodwind section and the oboes as the kind of nasal-sounding brain, then the heart of the section has to be the clarinet. Unlike the oboe, which is a double-reed

In many cities, there are multiple orchestras and although we might think that they differentiate themselves solely through their labels: London Philharmonic and London Symphony Orchestra, etc., they may also carry other names that differentiate them by size. The smallest

The South London Concert Series is a unique concert concept, created and curated by myself and harpsichordist and fellow piano teacher Lorraine Liyanage. Launched in November 2013, the series offers talented amateur pianists the opportunity to perform alongside young and

Other than playing the violin fantastically, what do Itzhak Perlman, Midori, Anne Akiko Meyers, Sarah Chang, Nadja Salerno-Sonnenberg, Nigel Kennedy, Gil Shaham, Shlomo Mintz Philippe Quint and Cho-Liang Lin have in common? Their teacher! Dorothy DeLay.

It’s difficult, 200 hundred years later, to imagine how much Europe was frightened by Napoleon’s return to power in March 1815. Before being sent to exile in Elba, Napoleon’s army had conquered most of Europe, creating an Empire that stretched

After the sweet purity of the flute, the next woodwind is the oboe. It’s a woodwind, but instead of being mouth-blown like the flute, this instrument’s sound comes from a reed. And not just a reed, a double reed: two