J.S. Bach Suites for Solo Cello
He was born in 1918 in Milan to a musical family. His mother was a violinist, but sadly, Janigro’s father, who had wanted to become a concert pianist, lost an arm after a gunshot wound during World War I. Nonetheless, he saw to it that Antonio start the piano at age six, and the cello at age eight. Antonio fell in love with the instrument and progressed so quickly that he was soon admitted to the Verdi Conservatory in Milan. By 1929 he had the opportunity to audition for cellist Pablo Casals and after hearing Janigro, Casals wrote: “A brilliant instrumentalist with a fine sense of style, and, I hope, sufficiently determined, he should become a shining exponent of our chosen instrument.”
With this glowing recommendation, Janigro travelled to Paris to study with Alexanian at the Ecole Normale and there to rub shoulders with other wonderful artists of the time—Cortot, Genette Neveu, Stravinsky, Nadia Boulanger, and the pianist Dinu Lipatti, with whom he would perform many recitals.
Just a youngster when he travelled back and forth by train from Milan and Paris, he complained about the hard seats and the chilly breezes in the third-class cabins. He often practiced in any empty compartment he could find on the train! One day, he was heard by an agent who immediately engaged him to play concerts in France.
Kelemen: Koncertantne improvizacije (Concertante Improvisations)
Janigro with the Zagreb Soloists
Brahms: Piano Trio No. 1 in B Major, Op. 8
Janigro with Badura-Skoda and Fournier
After the war, Janigro resumed his global performances, made numerous recordings, and he formed a distinguished piano trio with Paul Badura-Skoda and violinist Jean Fournier.
Tall and lean, with long, slender fingers, his playing is mesmerizing. One of my favorites is his beautiful rendition of Richard Strauss’ Don Quixote with the Chicago Symphony, Fritz Reiner conducting. A rare video of his performance of Fauré Elegy is simply breath-taking. But he was also recognized for his talents as a conductor. As early as 1948 Janigro took up the baton and by 1954 he became the chief conductor of the orchestra of Radio Zagreb, a post he held for ten years. He went on to conduct several major orchestras in Europe, and smaller ensembles such as the Salzburg Mozarteum Camerata.
STRAUSS, R.: Don Quixote (Chicago Symphony, Janigro Reiner)
Finale: The Death of Don Quixote
In 1965, after a bitter dispute, and a mysterious court proceeding, he suffered a heart attack and reluctantly relinquished his position with Zagreb Solisti. He and his family returned to Milan.
Janigro became even more active as a teacher in the 1970s, with positions at the Düsseldorf Conservatory, the Salzburg Mozarteum, and the Stuttgart Conservatory attracting students from all over the globe. His many prominent students include Swiss cellist Thomas Demenga, and two winners of the Tchaikovsky competition: Brazilian Antônio Meneses, and Italian Mario Brunello.
Popper: Chanson Villageoise, Op. 62, No. 2
His legacy includes more than 50 recordings of everything from Beethoven, Brahms, Debussy, short virtuoso favorites, contemporary works, and Baroque standards. The International Cello Competition Antonio Janigro for the Young Cellist, is one of the few opportunities for very young people under the age of 20 to participate in the rigors of a competition. Janigro passed away in Zagreb in 1989.
The 100th anniversary of Janigro’s birth is coming up. On January 21, 2018, the eminent cello soloist, teacher, and conductor, will be celebrated. To honor his many contributions to the country of Croatia and the world of music, activities will include a performance, “100 cellos for the 100th Birthday.” Many artists have offered their support who all agree “it is important to preserve the legacy, energy, and values of such a wonderful artist as Antonio Janigro.”
If you can be there here is the link!
Antonio Janigro, Fauré – Après un rêve
Janet, I agree with the comments in your opening paragraph wholeheartedly! Considering that his recording of the Bach Cello Suites was amongst the earliest, it bears comparison with many more modern releases very well. Both in interpretation and recording quality it sounds surprisingly modern. I have reviewed his recording for our web site: