158 Posts
Salzburg Festival 2019: Mozart’s Idomeneo
Salzburg generally does Mozart exceptionally well. But this year Salzburg did very little well, including Mozart. The Salzburg native’s seminal work is difficult to perform at the best of times. The story set in Crete after the Trojan War poses
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The Little Festival That Could: Verdi’s Falstaff at The Grange Festival
The Grange Festival has dramatically risen from operatic ashes after the previous management team marched off in 2016 with the chairs, lighting, database and many of the all-important sponsors. The backers of the glorious but dilapidated venue in Hampshire quickly
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Grigory Sokolov in Wuppertal
Grigory Sokolov, regarded as one of the best pianists alive, delivered an exceptionally refined and sublime recital at Historische Stadthalle Wuppertal as part of the Klavier-Festival Ruhr 2019, with a programme consisting of Beethoven and Brahms. On a side note,
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Force of Star Power: Forza del Destino at the Royal Opera House
Giuseppe Verdi’s La Forza del Destino at the Royal Opera House was all about star appeal. With the irresistible double bill of Anna Netrebko and Jonas Kaufmann, the early performances were all hopelessly sold out, with tickets reportedly trading on
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La Traviata
La Fenice Theatre, Venezia, 13 January 2019 Have you ever been to Venice? Well you must…. It is one of the 7 wonders of the world and if it is not listed as such it certainly should be. The Frecciarossa,
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Gioacchino Rossini: “La Cenerentola”
Why go to Padua in the heart of the winter, travelling five hours by train, and looking at a sad barren landscape of the Veneto to listen to an opera?
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A Pianist Reflects on Life and Death
Igor Levit’s ‘Life’
The German-Russian pianist Igor Levit has plenty to say – at the piano and via his social media network and interviews in which his forthright views, musical and political, are often given voice. His choice of repertoire, and his performances
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Mefistofele at the mighty Met
A standard evening at New York’s Metropolitan Opera is a healthy reminder why this opera house is casually referred to as the “Mighty Met”. The reprise of this Mefistofele production by Robert Carsen, last seen nearly twenty years ago, was
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