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How to Practice
A follow-up to my earlier article What Is Practice? Debussy: 12 Etudes – No. 1. Pour les cinq doigts (For the five fingers) (Joseph Moog, piano) No. 11. Pour les arpèges composés (For written arpeggios) (Joseph Moog, piano) “Practice Makes
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Multi-Tasking Conductors—Commendable or Ineffective?
The headline tantalized— “OSM guest conductor Schiff ‘flies off the handle’ in rehearsals, musicians say. ‘The concertmaster of the Montreal Symphony, Richard Roberts, asserted, ‘I don’t think he [Sir András Schiff] is a professional conductor.’” Apparently, Schiff accused the musicians
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The King of Instruments
For an instrument that is said to rule over all the other family members in the vast empire of musical instruments, the organ does not get much prominence or recognition. Outside popular pieces like the Toccata and Fugue in D
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A Personalised Sheet Music App for the Amateur Pianist
There are any number of apps and online courses to support and inspire the amateur pianist, from simple score readers which enable the user to read music from an iPad or tablet to more involved applications which offer an immersive
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The Philosophy in Music I
The philosophy of music is taught in some schools and universities. Stanford Encyclopedia of Philosophy has a wonderful resource on The Philosophy of Music. Philosophy is closely linked to religion; however, I’ve never found music religious, not even religious music.
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In Memoriam
Peter Schreier (1935-2019)
The singer and conductor Peter Schreier, one of the leading lyric tenors of the 20th Century, has died in Dresden at the age of 84. As one of the most highly esteemed tenors of the century, Schreier hit his mark
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Ghosn Is Gone
“The Gregorian Escape”
The legendary entertainer and illusionist Harry Houdini exasperated his audiences with sensational escapes and vanishing acts. One of his most notable vanishing acts featured the disappearance of a fully-grown elephant from the stage. Of course, people have always found imaginative
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Play What You Play Best
“The key is trying to limit yourself to perform only the pieces that will be best for you and the audience. Otherwise, you’re doing everyone—yourself, the composer, and the audience, a huge disservice.” – Richard Goode, concert pianist I’m sure
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