Richard Wagner was the manliest of composers. He was a titan who looked at opera and demanded more gods, added dragons, and maidens to guard the cursed gold. Wagner’s stories are not dainty salon entertainments; they are mythic endurance tests

I just love the piano music of Frédéric Chopin. It makes me laugh, it makes me sigh, it makes me feel as if the world has suddenly become brighter, softer, and a little more magical. There is something in the

The legacy of Henri Duparc (1848-1933), who died at Mont-de-Marsan on 12 February 1933, rests on a remarkably small body of works. Although he only composed a limited number of French mélodies, either sixteen or seventeen, depending on the source,

I will say this upfront, as a pianist who knows exactly how hard this instrument can bite. Yuja Wang is a miracle! She is both an inspiration and a delightful menace. She raises the bar so high, it feels almost

Constantin Brâncuși (1876-1957), the world-famous artist who basically founded modern sculpture, did not sit around writing essays about music. He did not annotate scores or lecture on counterpoint. He did not, heaven forbid, issue pronouncements about “sculptural sonata form.” And

György Kurtág, born on 19 February 1926 in Lugoj, in the Banat region of present-day Romania, developed a highly personal musical language. Shaped by a multicultural environment and profound musical curiosity, Kurtág followed a singular path that placed miniature forms at

Claudio Arrau (1903–1991) stands among the towering figures of 20th-century pianism. Celebrated for an expansive repertoire and deeply philosophical approach, Arrau’s name is inexorably linked to the piano sonatas of Ludwig van Beethoven. Arrau’s journey through these works, especially his

On 17 February 2026, we celebrate the centenary of the birth of Friedrich Cerha (1926-2023). He was an Austrian composer, conductor, teacher, and interpreter whose nearly eight-decade career made him a decisive figure in post-war European music. His work bridged