About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Dec 29, 2022 The Witches of the New Year
Jesús Arámbarri’s Gabon-zar sorgiñak
Dec 28, 2022 Melancholy Dancing Under the Stars: Finzi’s New Year Music
Dec 27, 2022 New Year’s Music Across Time and Space
Dec 26, 2022 Making the Donkey Dance: Gomes’ Sonata for Strings
Dec 24, 2022 Bach in 19th-Century France: Saint-Saëns’ Oratorio de Noël (Christmas Oratorio)
Dec 23, 2022 Carol of the Bells by Mykola Leontovych: History and Recordings
Dec 19, 2022 Improvising and Imagining: Schubert’s Fantasie in F minor
Dec 18, 2022 Artists and Musicians: Nolan and Williams
Dec 14, 2022 Medieval Animal Musicians: Bears
Dec 13, 2022 An Interview With Mezzo-Soprano Coline Dutilleul: The Play of Light and Shadow