January, 2018

41 Posts
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NOWAKOWSKI, M.: Blood, Forgotten / String Quartets Nos. 1 and 2 / A Uśnijże mi, uśnij
String Quartet No. 1, “Songs of Forgiveness” I. Unmoved Movement From NOWAKOWSKI, M.: Blood, Forgotten / String Quartets Nos. 1 and 2 / A Uśnijże mi, uśnij (2017) Released by Naxos Nowakowski: String Quartet No. 1, “Songs of Forgiveness” –
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Destination Shanghai
Shanghai – the beautiful city on the Yangtze River – was one of the first major cities of China opened to the West in 1842 and seems to have always had one foot firmly in China while, at the same
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The Voices of a Bass – An Interview with Valerian Ruminski
Bass Valerian Ruminski was recently in Hong Kong as Colline in a production of La bohème. Next, you might see him in Calgary in Eugene Onegin, or in Geneva as Dr Bartolo in the Barber of Seville. Or, you might
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Daniil Trifonov and Sergei Babayan
“His deep love of music sets him apart”
Under the guidance of his long-time teacher Tatiana Zelikman, Daniil Trifonov won a number of prizes at smaller competitions. Yet, Zelikman was careful not to push her young charge into a pianistic career. “She was afraid,” Trifonov explained, “that it
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I Am the Very Model: Gilbert and Sullivan and Light Opera I
It’s of some tribute to librettist W.S. Gilbert (1836-1911) and composer Arthur Sullivan (1842-1900) that 140 years after their first comic operas hit the stage, we can still find a great deal of humour in their works and many of
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At the Center of the Musical Universe
George Frideric Handel II
When Ludwig, or Louis Spohr (1784-1859) died at the age of 75, Johannes Brahms lamented that the last of the great masters had died. This seems high praise indeed for a composer whose posthumous neglect is shockingly at odds with
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Turning the Tables
They all die at the end, those poor opera women. Madama Butterfly kills herself, Tosca dies off the parapet of the Castel Sant’Angelo, and Carmen has a face-off with her former soldier lover.
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What do musicians do all day?
“What do you actually do?” and “What is your day job?” are all-too familiar questions to musicians. People are also endlessly fascinated about practising – “so how much practising do you actually do?” – and imagine we spend most of
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