In 1774 the poet Matthias Claudius (1740-1815) published a short poem titled “Death and the Maiden.” The poem is designed as a dialogue, contrasting a young woman’s fear with the reassurance of death. Claudius creates opposites and connections between the

Schubert’s final symphony, his ninth, was called the Great C major to distinguish it from his earlier Symphony No. 6 in C major (called the Little C major). Now, the word Great refers to the work’s majesty. It is the

Franz Schubert was born in the early afternoon of 31 January 1797 in a one-room apartment in a house called “The Red Crab”, then located in the district of the “Himmelpfortgrund,” an area northwest of the bustling and overcrowded center

Following my article about Schubert’s Drei Klavierstucke, here is another piano work which I feel is unfairly overlooked and rarely performed, perhaps simply because of its brevity and apparent simplicity. Yet Schubert packs an expressive punch and offers the pianist

Impromptus in all but name, the three “piano pieces” D946, were completed in May 1828, the year Schubert died, and follow the far more well-known and popular Impromptus D899 and D935, which Schubert composed the previous year. Like the Impromptus,

During his short but highly productive career Franz Schubert worked on a total of thirteen symphonies. Three symphonic projects were abandoned in fragments, and three more left incomplete. The Symphony No. 7 in E major was fully sketched and fully

Franz Schubert (1797-1828) took up the story of the beautiful miller’s daughter in 1823 using selections from a longer poem published in 1820 by his friend Wilhelm Müller. Müller’s original poem is made up of some 25 separate poems, only

The song cycle enabled a composer to look at a subject from a variety of points of view. In the two song cycles by Franz Schubert (1797-1828), the first, Die schöne Müllerin (The Beautiful Miller’s Daughter), setting the poetry of