Rachmaninoff

32 Posts
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Minors of the Majors
Sergei Rachmaninoff: Suite in D minor
“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
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Rachmaninoff and the All-Night Vigil
At the 2016 Grammy® Awards, the winner for Choral Performance was for a work that was written a mere century ago. Rachmaninoff’s All-Night Vigil, written in January and February 1915, received its premiere on 10 March 1915. When you consider
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Sergei Rachmaninoff: The Bells, Op. 35
Sergei Rachmaninoff (1873-1943) spent much of his childhood and youth in the Russian countryside. For the rest of his life, he would vividly remember a childhood resonating with the beautiful and exotic sounds of ringing bells. Rachmaninoff writes in 1913,
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Applause is like Oxygen
Sergei Rachmaninoff and Marietta Shaginyan
Sergei Rachmaninoff was deeply wounded when critics admired him as a pianist but never acknowledged him as a composer. Battling severe bouts of depression he dejectedly confided in Marietta Shaginyan “that he would concentrate fully on playing and would stop
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Reciprocal Muse
Sergei Rachmaninoff and Marietta Shaginyan
During the first decade of the 20th century, Sergei Rachmaninoff was the undisputed superstar of the piano circuit. Devoted fans camped outside his house to catch a quick glimpse of their idol, and a more diehard core followed him from
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A Marriage of Cousins
Sergei Rachmaninoff and Natalya Satina
Sergei Rachmaninoff and Natalya Satina knew each other since childhood. This is hardly surprising as Natalya was the child of Alexander Alexandrovich Satin and Varvara Arkadyevna Rachmaninoff. Her mother Varvara, as such, was the sister of Sergei Rachmaninoff’s father, Vasily
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Rach goes to the Movies
Just four days shy of his 70th birthday, Sergei Rachmaninoff died of melanoma on 28 March 1943 in Beverly Hills, California. He always wished to be buried at his estate in Switzerland, but the ravages of WWII only allowed for
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Sergei Rachmaninoff: The Power of a Good Tune
Sergei Rachmaninoff certainly knew a good tune when he heard it. But recognizing a good tune was simply not enough for him. He frequently took it apart and closely analyzed its contents before reassembling them in new forms and guises.
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