Debussy

54 Posts
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From England to France via Spain: Debussy’s Images for Orchestra
After writing two sets of Images for piano, it seems that a third set was called for, but this time Debussy orchestrated it, and in doing so, broadened the timbre of his palate. The first Image, Gigues, originally had the
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Poetry in Music: Debussy’s Suite Bergamasque
The Essential Debussy’s Piano Music As a composer in the late 19th century, Claude Debussy (1862-1918) worked on the cusp of the new directions taking place around him in France: salon music mixed with the new art styles of impressionism
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How Debussy changed a Scholar’s fate
Fifty years have passed since China’s Cultural Revolution, during which citizens were severely oppressed by restrictions on culture. Unbelievably, the incendiary spark of the Cultural Revolution was a critique titled “Notes on the New Historical Drama ‘Hai Rui Dismissed from
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Minors of the Majors
Claude Debussy: L’enfant prodigue
“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
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Claude Debussy – Music and the Artists of the Fin de Siècle
In 1902, after the successful debut of his opera Pelléas and Mélisande, Claude Debussy published many articles as a music critic under the pseudonym Monsieur Croche (similar to Paul Valéry’s pseudonym ‘Monsieur Teste’) in the ‘Revue Blanche’ and other publications.
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Claude Debussy: Sonata for Cello and Piano in D minor (1915)
Demoralized by the carnage of World War I and fighting his own battle against cancer, Claude Debussy (1862-1918) writes, “Try as I may, I can’t regard the sadness of my existence with caustic detachment. Sometimes my days are dark, dull,
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Debussy – Watteau – Baudelaire : Invitation to a Voyage
After finally achieving success with his opera ‘Pelléas et Mélisande’ in 1902, Claude Debussy (1862-1918) wrote ‘L’Isle Joyeuse’ (‘The Joyous Island’), while working hard on his new composition, ‘La Mer’. His very successful artistic achievements were in stark opposition to
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Debussy’s New Vision of an Old Standard
When we think of a musical piece called a ‘Prelude,’ we think of the monumental series of Preludes and Fugues by J.S. Bach, or, more adventurously, Chopin’s 1838 series of 24 Preludes, Op. 28. When the French composer Claude Debussy
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