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Meredith Monk
“That inner voice has both gentleness and clarity” A correspondent for the Washington Post wrote, “When the time comes, perhaps a hundred years from now, to tally up achievements in the performing arts during the last third of the 20th
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Elliott Carter
“My musical life started with hearing contemporary music” The American composer Elliott Carter (1908-2012) blended the “achievements of European modernism and American ultra-modernism into a unique style of surging rhythmic vitality, intense dramatic contrast, and innovative fracture.” Glowing accolades aside,
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Lukas Foss
“An Authentic Genius” A scholar writes, “the works of Lukas Foss (1922-2009) spring from a distinct personality: enthusiastic, curious, and receptive to every kind of musical idea…he was one of his era’s most communicative and representative composer-performer.” It’s not surprising
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Ferde Grofé
“On the Trail” Shortly before celebrating his 80th birthday, the American composer, arranger, pianist, and instrumentalist Ferde Grofé (1892-1972) died in Santa Monica, California. As we celebrate the 50th year of his passing, he might not be a household name.
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John Adams
“I Was Looking at the Ceiling and Then I Saw the Sky” Celebrating his 75th birthday in 2022, American composer John Adams is considered one of the most frequently performed living composers of concert music. Primarily known for his operatic
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Ryan Speedo Green
“Come dal ciel precipita” from Macbeth American bass-baritone Ryan Speedo Green is carving out a reputation as one of the great young singers of today. He has performed across the US and Europe, including roles at the Metropolitan Opera, Wiener
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J’Nai Bridges
‘I Have Listened And Followed My Heart’ Gounod: Sapho: O ma lyre immortelle I chat to American mezzo-soprano J’Nai Bridges just as she is about to travel to Amsterdam to perform excerpts from Donizetti’s Tudor Trilogy with the Dutch National
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Alana Youssefian
‘If you can’t do your own art your own way it doesn’t seem worth it’ Hailing from New Jersey, violinist Alana Youssefian is equally at home with the baroque violin as with the modern – her performance of Vivaldi’s Spring
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