Archives

134 Posts
archive-post-image
Finding a New Voice: Dvořák’s Cello Concerto
When he went to the US in 1891 to become the head of the American Conservatory of Music in New York, Antonín Dvořák’s patron, Mrs. Jeannet Thurber, intended him to be the founder of not only the first conservatory in
Read more
archive-post-image
Love Lost: Granados’ Goyescas
The late 19th century saw a glorification of Spanish culture under the general label of the Hispanidad. All sectors of Spanish culture were up for reappraisal and promotion. One of those was the celebration in 1897 of the 150th anniversary
Read more
archive-post-image
Playing With the Danube: Schulz-Evler’s Blue Danube Arabesques
One of the most famous of the waltzes written by Johann Strauss II was his An der schönen blauen Donau, Op. 314. By the Beautiful Blue Danube, or The Blue Danube Waltz as it’s more commonly known. It had its
Read more
archive-post-image
A New World for the Keyboard: Chabrier’s Bourrée fantasque
The composer Francis Poulenc loved the music of Emmanuel Chabrier (1841-1894), as did Debussy, saying once after a performance of Chabrier’s Ode à la musique ‘…I love this music so much that I want to hear it again.’ Chabrier was
Read more
archive-post-image
When Unfinished is Good Enough: Schubert’s Symphony No. 8
In December 1822, Franz Schubert (1797-1828) was awarded a Diploma of Honour from the Styrian Music Society in Graz. As a way of saying thank you, he sent two movements of a symphony he was working on, noting that it
Read more
archive-post-image
Returning to Virtuosity: Franck’s Symphonic Variations
César Franck (1822–1890) was a true international composer: he was born in Belgium, was a French citizen by choice, and may have even had a bit of German in his remote past. His musical skills were recognized early and exploited
Read more
archive-post-image
The Swiss Hero: Rossini’s William Tell Overture
The legend of the Swiss hero William Tell was the basis for Giaochino Rossini’s 1829 opera, Guillaume Tell, as through the hands of a play by Friedrich Schiller, Wilhelm Tell, and a libretto by Victor-Joseph Étienne de Jouy and L.
Read more
archive-post-image
Our Favourite Warhorse: Beethoven’s Symphony No. 5
The powerful start to Beethoven’s Fifth Symphony has meant various things over the centuries. During his time, according to his assistant, the music was taken to signal Fate knocking at the door. During the second world war, it was a
Read more