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24 Posts
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Rafał Blechacz Saves His Forte for Last
Polish pianist Rafał Blechacz, laureate of all the five first prizes in Chopin piano competition in 2005 at the age of 20, gave a compelling recital in Taipei with a programme of Mozart, Beethoven, Schumann and Chopin. Blechacz’s Mozart Rondo
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Grigory Sokolov in Wuppertal
Grigory Sokolov, regarded as one of the best pianists alive, delivered an exceptionally refined and sublime recital at Historische Stadthalle Wuppertal as part of the Klavier-Festival Ruhr 2019, with a programme consisting of Beethoven and Brahms. On a side note,
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The Beauty of the Instrument
An Interview With Riyehee Hong
Making her first appearance at the Hong Kong Arts Festival in March, organist Riyehee Hong is looking forward to bringing a wealth of Spanish and European organ music to a new audience. The appearance of an organist in a general
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Igor Levit, Pianist— Introspective and Transporting
Igor Levit the fascinating German-Russian pianist was featured on the Schubert Club’s International Artists Series here in Saint Paul, Minnesota recently. The highly anticipated program had us on tenterhooks as the lone piano stood on the empty stage. Then out
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Grigory Sokolov in Helsinki
Hailed as one of the best living pianists in the world, Grigory Sokolov offered a magically sublime and absorbing concert experience to the 1,700 audience in Helsinki Music Centre (Musiikkitalo) on 14 June 2018, with a programme of Haydn and
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Anne Queffélec in London
French pianist Anne Queffélec graduated from the Paris Conservatoire and then extended her studies in Vienna under teachers Paul Badura-Skoda, Jörg Demus and Alfred Brendel. She went on to win the Munich and Leeds piano competitions. You heard her in
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Kissin’ Kissin
A few nights ago, Hong Kongers greeted the return of the prodigious Russian pianist, Evgeny Kissin, with pure rapture. It has been three years since his last visit, but music-lovers here have not at all forgotten about him. The fact
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Celso Albelo at the Wigmore Hall (Rosenblatt Recitals)
A significant development in the world of opera over the last few decades has been the emergence of new opportunities for young artists. Many opera houses now have Young Artist schemes, such as the Jette Parker programme at the Royal
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