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Ten Excerpts from Robert Schumann’s Love Letters to Clara
The love story between Robert and Clara Schumann is often regarded as one of the most romantic in classical music history. Happily for historians, many of their love letters survive. They document their inner thoughts and emotions, as well as
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  • OH The Things Audiences Say! OH The Things Audiences Say!
    I would be wealthy if I had a quarter for every time someone said, “that’s bigger than you are!” Dragging my cello around on buses, thrusting it under turnstiles, hoisting it onto airplane seats, taking it into stores—always brings on
  • Drink some champagne and call me in the morning! Drink some champagne and call me in the morning!
    On 7 May 1896, Johannes Brahms celebrated his 63rd birthday. Supposedly he opened the festivities by declaring, “If there is anyone here I have not yet offended, I apologize.” Always known for his crusty personality and rustic mannerisms, Brahms was
  • The Lord of the Rings Symphony The Lord of the Rings Symphony
    Long before Howard Shore got his hands on writing the score for Peter’s Jackson’s monumental Lord of the Rings movie trilogy, Dutch composer Johan de Meij had taken up the call. His Symphony No. 1, “The Lord of the Rings,”
  • Old Tears in New Vials Old Tears in New Vials
    In 1997, the Kronos Quartet took a step back in time with their Early Music (Lachrymae Antiquae) [Ancient Tears] album, mixing quartet performances of medieval and Renaissance music with that of 20th century composers.
  • Improvisation is Repetition Improvisation is Repetition
    In my previous article, I explained how improvisation is the basis for true creation. While creation implies the origin of something new, the process through which the improvisation leading to it develops is one of repetition. This seems paradoxical, but