“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
Reading American literature during my student days in Europe was a rather thankless and boring task. I simply had no connection to the naïve optimism of the American frontier mentality or the preachy virtues of the Puritan legacy. For me,
Over the course of the last two centuries, there has been an interesting, changing relationship between music and the other arts, and concepts and depictions of nature. During the Classical period nature was represented as a backdrop in paintings for
When we think of the artist Cecil Beaton, we think, perhaps, of two things: his photographs and his designs for the Broadway and film productions of My Fair Lady.
Many 20th century and contemporary artists claim not only to have been inspired by music, but make a very compelling case for a close connection between a particular kind of music and their art.
In December 2015 I attended the last performance of J.S. Bach’s Goldberg Variations played by the Russian/German pianist Igor Levit in the Drill Hall of New York’s City’s Park Avenue Armory — the setting arranged by the performance artist Marina
In 1958, the French composer Edgard Varèse, working with the architect Le Corbusier and his assistant, the Greek composer Iannis Xenakis, created a music soundscape for the Philips Electronics Pavilion at the 1958 World’s Fair in Brussels.
In January 1911, the painter Wassily Kandinsky (1866-1944) was in Munich and went to a concert. He and the other members of the Munich New Artists’ Association heard something that changed Kandinsky’s whole artistic theory. The concert was of music
Recognized as one of the greatest artists of the 20th century, Martha Graham created a movement language based upon the expressive capacity of the human body. Throughout a long and illustrious career, Graham created 181 dance compositions that crossed artistic
