“Art is not an end in itself, but a means of addressing humanity.”
Modest Mussorgsky
As philosopher Richard Wollheim says, art is “one of the most elusive of the traditional problems of human culture.” In its simplest manifestation, art is a form of communication that serves as a vehicle for the expression of emotions and ideas. As ideas and beliefs are culturally specific and constantly changing over time, there really is no generally agreed definition of what constitutes art. That being said, the classical branches of the visual arts are identified as painting, sculpture and architecture. Literature and poetry are considered part of the humanities or as one of the arts, while music, alongside theatre, film and dance belong to the performing arts. In this section you will discover not only specific explorations of individual art forms, but also a more detailed probing of the relationship between the visual arts and music, including painting and music, sculpture and music and architecture and music. Originally, poetry and music were treated as a unity, but gradually they have become more independent. Nevertheless, the two art forms have never forgotten their shared genetic makeup, and been intertwined for millennia. Art and music have engaged in a dynamic relationship that reveals a diverse range of human activity intended to be appreciated for their beauty.
In his 2009 recording, American composer B.R. Pearson presents us with a journey around in his Paintings in the Hall. In his view, both art and music work together to divide space and time. Paintings are space and music is
Edvard Grieg met Hans Christian Andersen in Copenhagen in 1864, when the writer and poet already enjoyed considerable fame in many parts of Europe for his stories, novels, and poetry. The two artists enjoyed a close kinship as both were
Throughout his life, Edvard Grieg (1843-1907) composed a total of 181 songs. That means that excluding folk-song arrangements, Grieg composed more vocal music than piano and chamber works together. From his 4 Songs Op. 2 of 1861 to the 5
Claude Debussy set altogether thirteen poems by the Parnassian poet Théodore de Banville (1823-1891). The Banville mélodies, like almost half of his entire output for voice and piano, date from a period between roughly 1880 to 1884. This period was
Inspiration Behind Robert Saxton’s The Resurrection of the Soldiers For England, WWI was a devastation—it’s agreed that the country lost its best and brightest, and life after the war has never regained the power and glory the country held. English
Published in 1982, Revolting Rhymes by Roald Dahl re-interpreted six well-known fairy tales, deliciously deviating from traditional versions. Just one year later, Dahl married Felicity d’Abreu Crosland, who was instrumental in setting up “The Roald Dahl Foundation” shortly after his
In 1982, master storyteller Roald Dahl published a collection of poems under the title Revolting Rhymes. This parody of six favourite fairy tales features his darkly comic twists complete with rollicking rhymes and hilarious surprise endings. Humorously deviating from the
In 1840, Robert Schumann wrote to his beloved Clara, “This ceaseless inner music is almost killing me; I am almost obsessed by it. Oh Clara, what bliss it is to compose for the voice! I have done without it for
