Unconscious bursts of creativity that engender significant artistic endeavors are not necessarily inspired by passionate romantic love alone. Greek mythology believed that this kind of stimulus came from nine muses, the inspirational goddesses of literature, science, and the arts. Muses were long considered the source of knowledge embodied in poetry, lyric songs and ancient myths. Throughout the history of Western art, artists, writers and musicians have prayed to the muses, or alternately, drawn inspiration from personified muses that conceptually reside beyond the borders of earthly love. True to life, however, composer inspiration has emerged from the entire spectrums of existence and being. Nature has always played a decidedly important role in the inspiration of various classical composers, as did exotic cities, landscapes or rituals. Composer inspiration is also found in poetry, the visual arts, and mythological stories and tales. Artistic, historical or cultural expressions of the past are just as inspirational as is the everyday: the third Punic War or the contrapuntal mastery of Bach is inspirationally just as relevant as are the virulent bat and camel. Composer inspiration is delightfully drawn from heroes and villains, scientific advances, a pet, or something as mundane as a hangover. Discover what fires the imagination of people who never stop asking questions.
Music is a wonderful support for sensorial illustrations and evocative descriptions. While some is considered absolute — music for the sake of music — the contrast, expressive music, is often a great support for composers’ creativity. Also known as program
The last of Ottorino Respighi’s celebrations of Rome looked at its festivals. Feste romane was completed in 1928 and received its premiere under the baton of Toscanini in February 1929. Roman Festivals starts with the ancient history of the Romans
Ottorino Respighi (1879-1936) continued his tour of Rome with his 1924 work Pini di Roma (Pines of Rome). Just as in Fontane di Roma (1916), he looked at the trees in various parts of the city at different times of
Ottorino Respighi (1879-1936) is best known for his works about the city of Rome: The Pines of Rome, Roman Festivals, and, first of all, The Fountains of Rome. Respighi, who came from Bologna, was at first intimidated by the ancient
The history of the violin concerto in Russia is inextricably linked to the incredible performing career of Leopold Auer (1845-1930). Spanning two centuries, Auer’s playing was polished and elegant, and although it supposedly lacked fire, “he made up for it
“Music is as much a science and craft as it is an art” In his unpublished autobiography, probably dictated to his wife Virginie Enaust, Antoine Reicha summarizes his aesthetic outlook on music. He writes, “As I was both composer and
We still don’t know exactly where the idiom “Swansong” actually originated, but presently we use it to mean a last effort or final production coming from someone in a respective field before retirement, or sometimes, death. It is probably most
Because of its brevity and seeming simplicity, the “Lied ohne Worte” became a musical and technical test bed for a good many aspiring composers. In addition, it could deliberately, or as was the case with Pyotr Ilyich Tchaikovsky, inadvertently express