Blogs

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Schubert: The Grazer and The Wanderer
The musical Fantasy (or Fantasia or Fantasie) has its roots in improvisation and rarely follows a strict musical structure (such as Sonata or Ternary form). In this respect the Fantasy is related to the Impromptu (a genre favoured by Schubert).
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How Embarrassing—I Have a Dust Bunny in My Instrument!
I’d never had one…until today. A dense, dark grey ball the size of a quarter, rolling around inside my cello. I had been practicing the Spanish piece by Gaspar Cassadó Requiebros full of passion and fervor. While wailing on the
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Music in Words: The Kreutzer Sonata
“Music carries me immediately and directly into the mental condition in which the man was who composed it. My soul merges with his and together with him I pass from one condition into another, but why this happens I don’t
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Signor Alberti’s Moving Bass Line
Not invented by, but rather named for Domenico Alberti, who used this device extensively in his own keyboard sonatas, the Alberti Bass is a moving figure in the bass or left hand of keyboard music, derived from a three-note chord.
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Love Amongst the Keys
William Howard’s Love Songs Project
Love songs can be found in music across the world and across the centuries– William Howard, pianist Love in its infinite variety has been a major focus for British pianist William Howard whose Love Songs project began in June 2016
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A Grand Work of Art Explores Cross-Cultural Currents
Michael Parekowhai’s ‘Maori’ Steinway
Recently I had the opportunity to play a rather special Steinway grand piano as part of the fascinating ‘Oceania’ exhibition at London’s Royal Academy of Arts.
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Paralyzed by Imposter Syndrome? —When Will I Be Good enough?
No-one said becoming a musician is easy. It takes years of practice, discipline, and a unique personality—of humility, to convey the composer’s intention as best we can, and self-confidence, to walk onto the stage and play with panache. But no
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Picture studies: Rachmaninoff’s Études-Tableaux Op. 33
Rachmaninoff composed his Opus 33 Études-Tableaux between August and September of 1911, the year after he completed his Opus 32 Preludes, and while the Opus 33 shares some stylistic points with the Preludes, the pieces are very unlike them. Rachmaninoff
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