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The violinist and composer Amanda Röntgen-Maier (1853–1894) created a sensation when she became Sweden’s first-ever female Director of the Music at the Conservatory in Stockholm in 1872. Maier decided to continue her private studies in Leipzig with the concertmaster of
Louise Farrenc (1804-1875) was one of the first successful female composers in 19th century France. That opinion is not only based on 21st century assessments, but also on views expressed by her contemporaries. Robert Schumann wrote for example, “her works
