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Forgotten Pianists: Henriette Faure
French pianist Henriette Faure (1907-1985) made the music of Maurice Ravel sing on the performing stage. One of the first to play his music in public, she made recordings of his works from the 1930s to 1950, but died before
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Curse from the Gods
Despite the fact that epilepsy has appeared in medical history as early as 400 BC and an estimated 50 million people around the world are affected by it1, there are still many misconceptions that surround the condition.
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Critiques & Endorsements
“Wise artists seek out critical evaluations.” –The Musician’s Way As musicians it is important for us to receive endorsement for our work. This may come from teachers and mentors, colleagues, friends and family, critics and audience members: whatever its source,
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Sing Like Everyone’s Watching
It’s a sunny afternoon in Delhi and I am wandering around the Qutub Minar with my cousin sister, who asks me about the origins of the minaret. Before I can answer, a confident voice pipes in and prattles off the
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Forgotten Pianists: Gina Bachauer
Greek pianist Gina Bachauer (1913-1976) started her studies at the Athens Conservatory before attending the Ecole Normale de Musique to study with Alfred Cortot. In Paris, she was also able to study with Rachmaninov. Her professional debut was made at
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Music Lab at Wilton’s Music Hall
The Hong Kong Music Series is part of a wider series of events marking the twentieth anniversary of the transfer of sovereignty of Hong Kong from the United Kingdom to the People’s Republic of China. The Hong Kong Special Administrative
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Pierre Henry (1927-2017)
“The Father of Modern Music”
A substantial number of classical music lovers have probably never heard the term “musique concrète.” It was coined by the French experimental musician and composer Pierre Schaeffer in 1948, and describes electroacoustic music that uses natural sounds—not electronically generated tones—as
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Listening to the Past without A Record Player
Before the advent of the phonograph in 1877, it wasn’t possible for people to play sound that had been recorded. The phonograph (a portmanteau word created from two Greek roots: (phone, “sound” or “voice” and graphē, “writing”) was preceded by
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