“Farewell, Farewell… touch her soft lips and part…” William Walton: Henry V (adapted by Christopher Palmer) – IV. Interlude: Touch her Soft Lips and Part (Academy of St. Martin in the Fields Chorus; Westminster Cathedral Choir; Christopher Plummer, reader; Academy

2021 marks 100 years since the birth of Astor Piazzolla, and the inaugural year of the Piazzolla Music Competition. The competition aims to celebrate the legacy of the composer synonymous with the reinvention of the tango, and the winner will

Part Two of this article series was originally going to explore the mindset of musicians with regards to financial support during the Covid-19 pandemic – a call to action for artists to choose innovation and creative thinking over consistent begging

Consonance and dissonance are two concepts that are taught both inside and outside of music education. In my opinion, more often than not, wrongly. Aside from a purely physical level of definition, the perception of consonance and dissonance is entirely

Carnival celebrations typically involve public parades, street parties and entertainments. In some parts of the world, large decorated platforms are towed through the streets in dedicated carnival floats featuring everything from flowers, elements from the circus and the sideshow to

When we read textbooks on music history, Mozart is frequently classified as a Classical, and Beethoven as a Romantic composer. It almost sounds like that these two musical giants were diametrically opposed to each other—like two boxers in a ring—with

The quote in the title is from celebrated pianist Leon Fleisher, who died in August 2020 at the age of 92. In the many tributes to him, his wisdom and good sense, as a musician and a human being, and

Long before we needed childish simplifications and social media overhype to describe the musical explorations of different musical style and genres, there was Chick Corea (1941-2021). To him, musical styles and genres were not restrictive constructs, but an invitation for