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Musical Voices of WWI (1914-18)
Vaughan-Williams, Stephan and Bliss
Ralph Vaughan Williams was already an established composer at the onset of the First World War. By 1914, he had created a considerable body of works, including two symphonies and various works for orchestra, an opera and a number of
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In Awe of the Verbier Festival Orchestras
“Listen to Awesomeness” is a contemporary jargon used to market products related to focused listening – from audiobooks to earphones to DJs streaming music online. Even though the expression rarely exists in the classical music arena, it aptly reflects my
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The Myth of ‘Natural Talent’
I watched with interest some of the Winter Olympics coverage from South Korea, in particular the snowboarding and skiing. It’s easy to spot the winners – people like Chloe Kim and Redmond Gerard (both from the US team): they display
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In Celebration of the Piano in Chamber Music
A Brand New Festival and Competition in Birmingham, UK
Between 20th and 23rd November this year, the Royal Birmingham Conservatoire will be home to the first Birmingham International Piano Chamber Music Festival. Artists including the Gould Trio, London Bridge Trio, Katya Apekisheva, Christoph Richter, Esther Hoppe, Alice Neary, Robin
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Forgotten Cellists: Hideo Saito
Western music flourishes in Japan in the early twentieth century, mainly due to the influence of Hideo Saito, who performed and conducted to the end of his days. Hideo Saito is considered one of Japan’s greatest music teachers.
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Women on the Podium
Did the diarist Samuel Pepys alert us to women conductors in 17th century London? There we went and eat and drank and heard musique at the Globe, and saw the simple motion that is there of a woman with a
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Musical Voices of WWI (1914-18)
Ravel, Berg, and Butterworth
Trench warfare, which has since been described as “futility in conflict,” gained its horrifying notoriety on the Western Front in the First World War. By the time the dust and poisonous gas clouds had settled on the “war to end
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Playing Together – Women’s Orchestras and Women in Orchestras
The late-19th and early 20th centuries saw a new phenomenon: all-women orchestras. Kept out of the traditional orchestras by reason of gender (it certainly wasn’t because of talent), women musicians came together to form their own orchestras.
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