At the beginning of Act II of Delibes’ tale of forbidden love in British India, our heroine Lakmé sings a highly virtuosic aria, ‘Où va le jeune Indoue,’ which carries the informal title of The Bell Song. Lakmé produces one

It sits on the right bank of the Seine in Paris’ 1st arrondissement and was built on the orders of Napoleon III’s chief architect, Baron Haussmann. The Théâtre du Châtelet towers above the busy Place du Châtelet, directly opposite its

Although the source of the name is clear, the history of the dance itself is not. The Saltarello takes its name from the Italian verb saltare, meaning ‘to jump’, and it was the peculiar jumping step used in the saltarello

A scholar and former student writes, “To measure the potency of Nadia Boulanger’s influence is impossible. As a tree is rooted firmly to the earth, she was rooted in the history and grammar of Western music. She was gifted with

The incomparable Jessye Mae Norman was born on 15 September 1945 into the segregated American South. As she wrote in her memoirs, “I am the joy and pride of my maternal grandmother, looking out over a front yard overflowing with

It was the hot new instrument in town – eventually combining a seemingly traditional keyboard with the modern valve/tube technology developed in the first world war. Maurice Martenot (1898-1980) developed his ‘Ondes Musicales’ (musical waves) instrument in 1928, first as

Commissioned by the British Broadcasting Corporation (BBC) for the clarinetist Richard Stoltzman and the BBC Welsh Symphony Orchestra, Fantasma/Cantos for clarinet and orchestra first sounded on 14 September 1991 in Cardiff. In this composition, Takemitsu imagined the orchestra as a

In his 1913 children’s book, The Patchwork Girl of Oz, L. Frank Baum added a bit of music criticism into his text. His characters disapprove of classical music, ragtime, and ‘popular’ music, and, in fact, you sense a slight disapproval