We were thinking about what post-COVID opera might be like. Can we really go back to operas with parties with women coughing themselves to death in the corner (La Traviata), with false doctors (any number of operas from 1730 forward)?

Ferruccio Busoni (1866-1924) famously claimed that Schiller’s translation of Carlo Gozzi’s dramatic fairy-tale Turandot in conjunction with Carl Maria von Weber’s incidental music “ruined a masterpiece of Italian literature.” Gozzi’s play, supposedly based on a Persian story from the collection

In the 19th century, we have women composers with famous brothers, such as Fanny Mendelssohn (1805-1847) and women composers from famous musical families, such as Pauline Viardot (1821-1910) and Maria Malibran (1808-1836). In Clara Schumann (1819-1896), we have woman composer

Venezuelan pianist Gabriela Montero, born on 10 May 1970, has garnered critical acclaim and a devoted following on the world stage for her visionary interpretations and unique compositional gift. She has come to be known in particular for her real-time

One very special person has played more in Carnegie Hall than all pianist superstars put together. His name was Franz Mohr, and he was the piano tuner to the stars. You see, he was the chief concert technician for Steinway

On 21 September 1927, Anton Webern penned an extended letter to Maurice Ravel. “Although we have never met, I write on behalf of my mentor Arnold Schoenberg to express his thanks for all your efforts to facilitate his upcoming appearance

Pyotr Ilyich Tchaikovsky, born on 7 May 1840 deep within the Ural Mountains roughly 600 miles east of Moscow, had Ukrainian, German, and French ancestry. His father Ilya Petrovitch Tchaikovsky, a mining engineer and manager of an iron works, traced

In November this year, six selected young ensembles will be invited to Birmingham to take part in our International Piano Chamber Music Festival. All six will give a recital as part of the Festival programme and take part in masterclasses,