Béla Bartók (1881-1945) spent the last five years of his life in the United States. Economic hardship, cultural dislocation, and very little artistic acknowledgement and satisfaction plunged the composer into a state of bitter depression. This depression was compounded by

Multimedia was alive and well in 1924, and with the title Relâche—loosely translated into “No Performance today,” or “Theatre Closed”—everybody automatically knew that the ballet collaboration between Francis Picabia and Erik Satie was in the firm grip of Dadaism.

Tempo rubato (literally “stolen time” in Italian) is perhaps most closely associated with the music of Fryderyk Chopin, his friend and fellow composer Franz Liszt, and other composers of the Romantic period. But it is possible to achieve rubato effectively

Hong Kong-born and now based in London, pianist Annie Yim is the creator of MusicArt London, a conceptual concert series which combines music with poetry and visual arts, creating interesting and unexpected dialogues and connections between the works in the

Today we seem to spend far too much of our daily lives trying to do things at high speed or in a hurry, without allowing ourselves time to stand still and think, or to look up occasionally to admire a

“Never play faster than you can think” This well-known maxim by pianist, teacher and composer Tobias Matthay has a relevance both in day-to-day practice, and also in performance. When we practice, in our eagerness to move on to a new

Giovanni Pierluigi da Palestrina (1525/26-1594) may have been born in the city of Palestrina, as indicated by his name, or may have been born in Rome, where his father may be the ‘Santo de Prenestino’ on the 1525 census. In

In the summer 1907, Gustav Mahler’s mother in law suffered a mild heart attack. When the district physician was called to examine her, Gustav Mahler invited the physician to also take a look at him. To everyone’s surprise, Mahler was