Opinion

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The Philosophy in Music I
The philosophy of music is taught in some schools and universities. Stanford Encyclopedia of Philosophy has a wonderful resource on The Philosophy of Music. Philosophy is closely linked to religion; however, I’ve never found music religious, not even religious music.
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Play What You Play Best
“The key is trying to limit yourself to perform only the pieces that will be best for you and the audience. Otherwise, you’re doing everyone—yourself, the composer, and the audience, a huge disservice.” – Richard Goode, concert pianist I’m sure
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Can Music Be Unmusical?
The term unmusical might apply to a person. It can also pertain to a sound deficient in melody, harmony, rhythm or agreeable tone. It may also apply to music that one feels is imperfect, inadequate or even lacking in emotion.
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You Don’t Need “the Knowledge” to Enjoy Classical Music
It always frustrates me to hear people say that they don’t go to concerts because they don’t know enough about classical music. I think my friend Olli Mustonen had the answer to that: “It’s like saying that you won’t walk
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Rebranding Classical Music for the 21st Century
The numbers are in, and they’re looking good. For an industry whose identity seems to be based on a constant struggle against popularity, classical music is doing alright. Whilst constantly obsessed with our impending demise, the doom-obsessed factions within classical
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Mastery and the ‘Near Win’
I admit it – I watched Rugby World Cup final. After their coruscating performance in the semi-finals against the All Blacks, hopes were high for England, but these were dashed by a South African squad who were, on the day,
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Some Advice to Young Musicians
One of my adult students, who happens to be a heart surgeon, came to a lesson last week with an idea. For his upcoming birthday, during the gathering at his home, he’s thinking he’d like to perform three or four
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Repertoire Relationships
“Bach’s Goldberg Variations caused me misery – but I still can’t get enough”– Jeremy Denk, pianist Our relationship with our repertoire is personal and often long-standing. Connections with certain pieces and composers may be forged in our early days of
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