What do you get if one of classical music’s most beloved performers teams up with one of today’s most popular composers? It really is a no brainer, as Azul (the title means blue in Spanish) combines the collective imagination of

Rossini’s last opera, the four-act Guillaume Tell, with a composite French libretto based on Schiller’s play Wilhelm Tell, was produced at the Paris Opéra on 3 August 1829. However, within three performances the opera’s length of roughly four hours and

The “Grande Symphonie funèbre et triomphale,” to use its full title, was Hector Berlioz’s fourth and last symphony. Commissioned by the Minister of the Interior for the commemoration of the 10th anniversary of the three-day revolution of July 1830, the

Hoping to gain financial independence, Richard Wagner was eager to establish an annual music festival that would realize his particular vision of music and theatre. Initially he contemplated Munich, but his extravagant and scandalous behavior in that city caused him

24 July 1983 marked the 200th birthday of Simón Bolívar, known around South America as “El Libertador.” The Venezuelan military and political leader played a significant role in the establishment of Venezuela, Bolivia, Colombia, Ecuador, Peru, and Panama as sovereign

On 22 July 1864 Clara Schumann and conductor Hermann Levi played through a piano sonata for two pianos by Johannes Brahms. Clara was overwhelmed by the music’s grandeur, and wrote to the composer. “The work is splendid, but it cannot

In the wide world of music, it is not always easy to determine what actually constitutes the premier performance. The process of introducing works to a wider audience is by definition a complicated one, and rather frequently a composition disappears

Wolfgang Amadeus Mozart’s Die Entführung aus dem Serail (The Abduction from the Seraglio) premiered at the Burgtheater in Vienna on 16 July 1782. The Austrian Emperor Joseph II was in the audience and famously said, “Too many notes my dear