As much as we’d like to, we can’t report on every classical music event around the world. That’s where you come in.
Email: info@interlude.hk We would love to share your classical music experiences with our ever-growing audience. Have you:
heard an intimate church concert or glamorous grand opera lately that you want to write about?
enjoyed an especially meaningful encounter with classical music?
wanted to discuss what studying or enjoying classical music means to you personally?
If so, we want to hear from you. Please Email us your submission in less than 1200 words, with your name, where you are from, and any pictures you take.
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It might be natural to assume that a starting point to playing a piece of music is to play all the notes as they are written. In this article, the question why composers might write notes that cannot be played
Among the compositions by Maurice Ravel that are highly regarded in the piano repertoire is the suite Gaspard de la Nuit. It is based on three poems by Aloysius Bertrand and is known for its technical difficulties. In this article,
Let me put it bluntly. I am not fond of musicians who play without taking risks, who either delivers a composition so precisely that a computer could have done the same or blatantly regurgitates a teacher or mentor’s interpretation or
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I had the pleasure of attending the Berkeley Symphony Orchestra opening concert for the 2014/15 season—my first classical music concert since moving to the U.S.A. The concert took place at UC Berkeley’s Zellerbach Hall. The building has a surprisingly small
I always find music a fun thing to do: musical instruments are ‘played’, and the word ‘music’ lends itself to other words like ‘amuse’, ‘amusing’ and ‘amusement’. If ones looks up the meaning of ‘amusement’ on OED.com, one would find
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