Interviews

255 Posts
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In Touch with Anne Denholm
Anne Denholm is one of today’s outstanding young harpists. A recent graduate of the Royal Academy of Music, she’s making waves in the UK and abroad as a soloist, chamber musician and collaborator. There’s demand from high places, too –
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The Door to the Future: An Interview with Louis Langrée
We spoke recently with Louis Langrée, Music Director of the Cincinnati Symphony Orchestra, about the CSO’s new recording, Concertos for Orchestra, modern and period orchestras, and the orchestra’s upcoming Asian tour.
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Manuscripts and Technology
An Interview with Nicholas Kitchen of the Borromeo Quartet
Founded in 1989 by students at the Curtis Institute for Music, the Borromeo Quartet has grown over the last decades into a quartet of power and assurance. Of interest in the past few years have been their explorations of the
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The Boston Symphony at Tanglewood from the Manager’s Perspective: Mark Volpe Interview
In 1936, the Boston Symphony’s first program in the Berkshires took place under an enormous tent, with Maestro Serge Koussevitzky at the helm. Fifteen thousand people heard the venerable ensemble in the gorgeous setting but far from ideal venue. Koussevitzky’s
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Finding the links between music and memory: in touch with Roxana Haines
We live in a world with an ageing population. One of today’s most pressing issues is how best support, engage and care for the elderly, particularly those with physical and mental disabilities. And while debate usually revolves around political, social
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Connecting with Proust: A Conversation with Steven Isserlis
Cellist Steven Isserlis will be in Hong Kong in October as part of his Asian tour through South Korea, China, and Japan. The entire Asian tour has been entitled ‘Proust and Music’ and in a recent conversation with the cellist,
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Nobody Does It Better: An Interview with Graham Ross
Although the title of this piece seems to reflect an overarching ego, viz James Bond, it’s meant more of a statement about the Choir of Clare College, Cambridge. Interlude spoke with the CCC’s Director of Music, Graham Ross, in a
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A Piece Whose Time Has Finally Come
Pianist Sarah Beth Briggs was asked to play a piano reduction of Hans Gál’s Cello Concerto when her friend Antonio Meneses was working on it and was so impressed with Gál’s orchestral writing that she asked her producer, Simon Fox-
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