About Meet our contributors
Maureen Buja

Maureen Buja thumbFrom the time I was an undergraduate musicology major, through my PhD in Renaissance music publishing, Musicology has been what I love to do. I’ve worked in the field of writing and editing in New York, London, Hong Kong, Muscat, and Athens, teaching and training new musicologists, giving pre-concert lectures, and, most recently, establishing a new music library at the Royal Opera House in Muscat. Now based in Athens, I view myself as an international musicologist, going to opera productions in Bangkok and at Glyndebourne, to chamber music recitals in New York and Shanghai, and seeking new music in Vienna, Athens, and the Middle East. Interlude brings the world of music to you and I’m very pleased to be part of this international project.

Contributed Posts
Jun 16, 2023 The Digital Debussy Continued
Francis Gorgé and Debussy
Jun 15, 2023 Accessible but Out of Favour
Goltermann’s Cello Concerto No. 1
Jun 13, 2023 Musicians and Artists: Pearson and Renoir
Jun 12, 2023 Gone but Not Forgotten: Auber’s Overtures
Jun 11, 2023 Gershwin’s Forgotten Rhapsody
Jun 10, 2023 It’s All About Taste
An Interview with Chiyan Wong
Jun 9, 2023 Musicians and Artists: Melchers and Rubens
Jun 7, 2023 Words and Music and Imagination
An Interview With Evelyn Chang
Jun 6, 2023 Let’s Not Be Brave
Margaret Brouwer’s I Cry—Summer 2020
Jun 5, 2023 A New World for the Keyboard: Chabrier’s Bourrée fantasque