November, 2016

39 Posts
archive-post-image
Orchestral Music in a New Tuning
Norwegian composer Eivind Groven (1901-1977) came from the province of Telemark and his love for the province drove his artistic sensibilities. He was a self-taught composer, was a performer on the willow flute, and was a legendary fiddler. He collected
Read more
archive-post-image
Unsung Concertos
Moritz Moszkowski (1854-1925): Piano Concerto Op. 3
Critical mass is a concept used in nuclear physics, group dynamics, politics, public opinion, medicine, and technology. Differences between disciplines none withstanding, it “identifies the minimum amount (of something) required to start or maintain a venture.” In business, for example,
Read more
archive-post-image
Gesture in Piano Playing, Part 1
In the dimmed lights of the concert hall the pianist crouches, cat-like, over the piano. His hands swoop across the keyboard in a blur of movement, he sways maniacally from side to side before throwing back his head and raising
Read more
archive-post-image
Figaro at La Scala
The place : La Scala di Milano The Opera : Le nozze di Figaro Composer: Johannes Chrisostomus Wolfgang Gottlieb (Mozart!) Script: Lorenzo da Ponte Inaugurated in 1778 La Scala was the heart of musical Milano for the last 200 years.
Read more
archive-post-image
Minors of the Majors
Manuel de Falla: Allegro de Concierto
“Minors of the Majors” invites you to discover compositions by the great classical composers that for one reason or another have not reached the musical mainstream. Please enjoy, and keep listening!
Read more
archive-post-image
The Boston Symphony at Tanglewood from the Manager’s Perspective: Mark Volpe Interview
In 1936, the Boston Symphony’s first program in the Berkshires took place under an enormous tent, with Maestro Serge Koussevitzky at the helm. Fifteen thousand people heard the venerable ensemble in the gorgeous setting but far from ideal venue. Koussevitzky’s
Read more
archive-post-image
Musical Giants of the 20th Century: Opera Voices
Richard Tucker: First of the great American tenors For several generations of patrons of the Metropolitan Opera in New York, one tenor represented the absolute gold standard: Richard Tucker. It helped that he had immigrant Jewish background (he was born
Read more
archive-post-image
Muses and Musings
Wolfgang Amadeus Mozart: A Rondo for the Baroness Waldstädten
Full of optimism, Wolfgang Amadeus Mozart arrived in Vienna in 1781 ready to make his mark on the Viennese musical scene. By sheer coincidence he was introduced to the Baroness Martha Elisabeth von Waldstädten. She was thirty-seven at that time
Read more